1765620 vote / Star: Uma Thurman / Jules Winnfield (Samuel L. Jackson) and Vincent Vega (John Travolta) work as hit men for crime boss Marcellus Wallace (Ving Rhames). Wallace is currently dealing with Butch Collidge (Bruce Willis), a boxer who failed to throw a fight after taking Wallace's money and is now planning to flee the city, but can't leave his father's watch behind. Vincent faces some problems of his own when Wallace asks him to show his wife Mia (Uma Thurman) a good time while he's away. Some of these people redeem themselves and some don't, and all meet an end appropriate to their choices / runtime: 154 m / Release year: 1994 / Quentin Tarantino, Roger Avary
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Pulp fiction amazon prime video. Youtube pulp fiction. I made a list of must-see movies for my son and we watched this one together - such a rare American treat and fabulous departure from the formulaic. Pulp Fiction and its success slapped Hollywood into shape for the next 10 years or so and for me remains the finest film of its genre. Ever. Pulp fiction csfd. Pulp fiction diner.
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Pulp yrock. Pulp fiction youtube. Pulp fiction script breakdown. If ever a great movie has been made it must be "Pulp Fiction. I mean, you can't even say that this THE film; it's just FILM. This is what movies are all about: great dialogues, characters you can relate to (although they are probably just as distant to your reality as e.g. the monsters in "Bad Taste" and appropriate music. It's not a movie you can just turn on and watch unfocused, though. If you really want to enjoy it you'll probably have to see it three times or more. If you're not planning on doing this, don't watch it! Then of course there's the mystery behind Pulp Fiction. What's in the briefcase? Although plausible theories have been developed, we'll probably never know for sure. Quoting the man himself, Tarantino, on the question "What's in the briefcase. Anything you want. br> To be brief: I really think this is the best movie ever made...
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For Stuart Turner, the road to My Skeleton has been long and winding. Edinburgh native, Optimo regular, DJ, Red Bull Music Academy graduate, refugee from rock groups such as Degrassi, Russia and American Men, and for a short period a trainee corporate lawyer, much of Turner's debut album as Claude Speeed was sketched out on a guitar and laptop while he was travel-ling through India, Singapore and Cambodia.
Subsequently, this material was refined and mixed at locations including Hudson Mohawke's studio in London and Kuedo's studio in Berlin, but it would be wrong to assume My Skeleton was in any way designed for club consumption. Instead, Turner's recent FACT mix – which eschewed beats in favors of twinkling drifts and droning computer music – offers a useful signpost to My Skeleton's contents. Present here is the fluorescent Cynthy glow and ADHD maximals that's common to his peers on the LuckyMe roster, but what's within is on a dreamy, ambient tip, melding classical minimalism, post-rock, cosmic Cynthy and systems music with an eye for personal exploration and spiritual reflection.
Contemporary readings of such genres sometimes feel like the stuff of battle re-enactment, too studied to transcend their rich histories. On My Skeleton, though, Turner often takes pains to keep his music feeling living and breathing. 'Tiger Woods' and 'Spectral Choir' employ dancing Steve Reich patterns, but through these Turner laces weaving woodwind and ringing strings with half-heard field recordings from his travels, the bustle of a marketplace or the hum of traffic. There are songs, too: the melancholic twinkle of 'Hold On' featuring the folksy tones of female vocalist LW; or 'Taj Mahal' in which Turner takes the Mick in a manner that reminds me a little of Phil Elverum's work in lo-fie experimentalists The Microphones, his sleepy and sincere words half- buried under droning soft Xanthus and star bursts of heavily treated post- rock guitar. The title track breaks from the record's largely electronic recreations to employ a real string quartet, although thanks to pitch- shifting and diligent layering, there feels like no hard breaks between the real and the synthesized.
There is trauma here, too, albeit sublimated into these woozy folds of sound. Turner's trip was prompted by bereavement, and here and there My Skeleton takes a turn into darkness. The Dom post-rock build of 'Prove You Exist' apparently went by the working title of 'Claude Speeed You Black Emperor' while 'Some Other Guy' which vacillates between diaphanous ambiance and harder Mego-like drones, is supposedly inspired by a visit to a tower of human skulls in Cambodia's Killing Fields. In the hands of some, this might come across slightly glib, a bit Selie- at-Auschwicz, but throughout My Skeleton, there's the sense that Turner is out to honestly communicate his own experience, even when emotions are embryonic, or sensations twisted by tiredness or fever. The result is a record that keeps the sense of a human being on a passage of exploration, its internal emotional landscape porous to the influence of the tumult and chaos of the world outside.
To this day, i still have no idea how christopher walken managed to keep a straight face at this. Pulp fictionality. Pulp fictional. He knew it. Pulp fiction fabian. Pulp fiction bgm. Pulp fiction writing. Pulp fiction free. Pulp fiction books. Unbelievable just his presence totally elevates the scene. I could listen to Walken all day.
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Apparently the finest QT's 90s film, I didn't expect to enjoy it this much.
To anyone who hasn't seen this yet, just watch it.
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I cannot get enough of this movie it is literally my favorite film of all time it is just so awesome.
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I like how the picture is stylized to look like a comic book. Just as the movie was shot with a low speed film (ISO 50 I believe) to have little grain and evoke that comic look.
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